LEE JOON-SUH / SELECTED HIGHLIGHTS / 2024 / 2025

CINEMATIC FX& MEDIA ARTIST

I design scenes with Unreal Engine cinematics and Houdini FX, carrying them through live action and compositing to the final image.

00:28

PRACTICE / 2024 / 2026

I shape cinematic scenes and solve the technical problems behind them.

I work backward from the intended image to its technical structure. I connect Unreal Engine cinematics, FX simulation, lighting, and compositing, validating unfamiliar problems through focused R&D. In teams, I clarify direction and production scope while coordinating the final image.

Unreal Engine / Houdini / Lighting / Compositing

CURRENT EXHIBITION / DMAF 2026

Beyond the Fold

A cinematic media artwork moving from a dark Chaekgado interior into the landscape of Irworobongdo.

Gate DS: 2026.07.28-07.30
H.art1: 2026.08.04-08.09 / 2026.08.25-08.30

SELECTED WORK / 01-08

Selected work

Team projects separate production scale from direct contribution. Individual work shows the path from concept to final output.

A satellite sequence approaching the planet

NEOS: LAST HOPE2025SF Short Film / VFX / FXTeam 33 including production crewWrote the scenario and served as assistant director, coordinating Unreal Engine and Houdini scene production from the shoot through final compositing.

Irworobongdo opening beyond a Chaekgado bookcase

Beyond the Fold2026Cinematic Media Art / ExhibitionIndividualDirected Chaekgado and Irworobongdo as one spatial journey, completing the work from Unreal Engine production through Nuke compositing and two venue formats.

A blue FLIP simulation evoking a flowing starry night

Flowing Starry Night2025Houdini FX / Media ArtIndividualCreated the full project from concept and FLIP R&D through look development, lighting, rendering, and finishing.

A Seoul autumn scene with traditional architecture, flowers, and drifting leaves

Seoul: Four Seasons2024Exhibition Media ArtTeam of 2Led planning and direction, creating the spatial setup, seasonal FX, animation, lighting, and final output.

A futuristic craft fully revealed inside a hangar

The Technology to Endure2026KIST Spec Branded FilmTeam of 4Led planning and visual direction, connecting generation, retouching, and compositing to control consistency across shots.

A figure suspended among blue cosmic clouds

The Cosmic Train2024Real-time Cinematic StudyIndividualBuilt the environment and character, then completed the cinematic through animation, lighting, FX, and editing.

A headset product shot crossed by green laser light

Razer Headset Motion Film2024Product Motion / Real-timeTeam of 2Led the project’s visual direction and created the Unreal Engine scenes and camera animation.

A TouchDesigner output combining camera contours and color fields

TouchDesigner Visual Experiment2024Camera-input Interactive PrototypeCamera-input Interactive PrototypeDesigned and tested a real-time response structure transforming camera input through edge extraction and color fields.

PRODUCTION RANGE

Unreal Engine, Houdini FX, Lighting, Compositing, TouchDesigner

From scene design and FX to lighting, compositing, and real-time prototypes, I connect the production stages required by the final image.

ABOUT / CONTACT

I design for image quality and production efficiency together.

I work backward from the intended image to its technical structure. I connect Unreal Engine cinematics, FX simulation, lighting, and compositing, validating unfamiliar problems through focused R&D. In teams, I clarify direction and production scope while coordinating the final image.

About and contact ↗Resume ↗